Indie rock
namesake Sparklehorse, led by the late Mark Linkous, and glitch artist
Christian Fennesz combined their disparate sounds to an amazing effect for this
installment in Konkurrent’s Fishtank series.
Opening track
“Music Box for Snakes” also stands as the album’s strongest, where a simple
music box melody stands as the centerpiece for swirling ambient sections. The song swells and fleshes itself out around
this skeleton, meandering for a few minutes until it expertly blossoms before
the five and a half-minute mark. At this point, ethereal synths break through
the seemingly directionless atmosphere and truly open up the color of the
track, making for one of the most beautiful moments on the entire album.
While “Music Box
for Snakes” may be the release’s strongest track in my opinion, the rest of the
album certainly measures up. “Goodnight
Sweetheart” is a terribly sad track that focuses on Linkous’ tender, fragile
vocals and the heartbreaking manta of the track’s name repeated over and
over. “Shai-Hulud” bounces around
jarring glitches until it eventually finds a slanted groove that eventually
gives way to an echoing noise section that feels simultaneously damning and
warm. Clocking in at 11 minutes, “NC
Bongo Buddy” is the most rock-oriented In
the Fishtank 15 gets, trading off sections of distorted electric guitar for
Fennesz’s robotic glitches and noise.
The track may be a bit long, but it feels like the first moment
Sparklehorse truly breaks through the haze of ambient soundscapes and makes the
album feel like a balanced collaboration.
And the fact
that Fennesz seemingly overpowers Sparklehorse does make this album feel a bit
lopsided. However, the music that
results from the collaboration is still brimming with emotion and ingenuity. Ultimately, In the Fishtank 15 is far from a perfect release, yet it is a
lovely asterisk in the careers of two different yet beloved artists.
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