Wednesday, November 27, 2013

R. Stevie Moore - Clack! (1980)

Stevie is singular -- the concrete universal embodied. Stevie is the patron saint of radical alterity -- and in this way he is far from alien. Stevie is the proper exegesis of pop -- and he knows it and we know it. Stevie has reached the position of absolute knowledge -- and is it now the time, maybe, for our interesting results? Here is the lesson: Stevie serves /his/ intentions rather than those of cultural capital and the endless circulation of genre. You can't transcend the dialectic, cuz whenever you think you have you're deeper in it than you ever thought -- so get inside it enough to get outside; let's see you try. 

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